Glass, a bowl of mottled red and yellow and ochre colours imitating realger, an arsenic compound which the Chinese were very attracted to. Because it was poisonous they copied it in glass. Chinese, Beijing, 18th century.

Glass, mottled ochre and brown in the form of a tall necked vase with a yellow upper half, the base slightly recessed, and the foot added onto the vase at a later date. Chinese, Beijing, 19th century.

Glass, mottled ochre and brown in the form of a tall necked vase, the base slightly recessed, and the foot added onto the vase at a later date. Chinese, Beijing, 20th century.

Glass, a 'married' piece from three units from other vases of Imperial yellow colours. The base, central belly and the neck, each of them made at different periods with floral designs, an animal in a landscape with pavillion and a crane. Chinese, Beijing but mixed periods. 1750-1880

Glass, a mottled brown and maroon meibing vase with everted lip and flat base, some damage to the inner lip which has been polished out. Chinese, Beijing, 19th century.

Glass, yellow coloured plate standing on a raised circular foot rim. Chinese, Beijing, 19th century.

Glass, yellow coloured plate standing on a raised circular foot rim. Chinese, Beijing, 19th century.

Glass, translucent light brown colour, each shoulder carved with mask and ringhandles, the base with raised oval footrim (chipped) and a flat mouth. Stopper of mother of pearl. Chinese, 1780-1850.

Glass, the large rounded form of dark yellow swirly material, the raised foot platform flat, the neck concave with ivory stopper. Chinese 1780-1820.

Agate, flattened form of mottled beige and darker brown inclusions, the shoulder carved with mask and ring handles with raised oval foot rim and reduced size neck due to damage. Stopper brown resin on a light coloured thin collar. 1780-1850.

Glass, imperial yellow colour of gentle rounded form with a tall neck and a raised oval foot rim, the neck width reduced as a result of damage, stopper possibly made from black lacquer. Chinese, Qianlong perid, 1736-1795.

Glass, the body of light and darker brown material, the shoulders each with a delineated area for mask and ring handles, the base flat and the mouth flat (damaged) and the stopper carved from horn. Chinese, 1780-1850.

Agate, large body carved from banded agate, the concentric bands clearly visible for the design, the other side with a crystalline sample and the foot is flat. Stopper of carnelian agate. Chinese, 1780-1850.

Agate, of large flattened rectangular form, each shoulder with mask and ring handles and the base with an oval raised foot rim, the neck flat but with some damage. Stopper coral bead mounted in a metal holding collar. Chinese, 1780-1850.

Glass, translucent yellow of rounded form, the body painted inside on each face with a figure farming with a house in the background and mountains (cracked). Unsigned but probably 1960's.

Glass, a tall and elegant vase appearing like an elongated meibing, the wide base with rounded and slightly raised base, the top of the meibing narrowing to the neck. Chinese, Beijing, Daoguang period, 1821-1850.

Glass double bottle, the bodies painted with a still life scene with a vase and flowers and planters, the other three with landscape scenes painted by (Bi) Ronjiu, dated 1934. Stoppers green jadeite on black glass collars

Glass, large toffee coloured bottle with a few darker brown inclusions to imitate agate, the base flat and the mouth concave. Stopper green stone. Chinese, 1780-1850.

Glass, rounded with flat panelled sides, painted inside with squirrels on grape laden vines which are entwined around larger tree boughs. Stopper filigree on metal collar. Chinese, Shandong province, 1960's.

Glass, flattened rectangular of translucent material painted inside with a figure approaching two ladies, each in their sampans, the other side with a figure on his balcony and a lady in the background in a dwelling. Signed Tang Tzechuan, c 1920's

Glass, flattened rectangular form, painted inside with a cricket and a landscape scene. Unsigned, possibly Bi Ronjin, 1930's.

Glass, translucent material, painted inside with a fisherman in his skiff under a cliff and a potted plant and a butterfly. Signed Zhou Leyuan but probably Bi Ronjin, c 1930's.

Agate, small and slim form with panels on each edge, the beige coloured material with very drak inclusions carved expertly with a figure on a rock watching up at a tropical bird and a prunus branch opposite, the reverse with another tropical bird on a stem of a flowering prunus branch and a rock opposite, the stopper of matching material on a carnelian collar. Suzhou school, 1780-1850.

Glass, mottled swirley grey, green and creamy colours on both sides with a flat base and a flat restored mouth. Stopper modern pink stone. Chinese, 1780-1850.

Glass, mottled green colour imitating green jadeite, moulded in the form of a cinnabar lacquer bottle from the Qianlong period, but probably a perfume bottle, which has been converted, the neck with screw top. European, 20th century.

Glass, translucent green colour, the double gourd shape well carved with fruit laden double gourds on a vine ranging around the body of the bottle, the raised oval footrim also carved from the material, the neck concave (cracked). Chinese, 1780-1850.

Glass, rounded form of green imitating green jadeite, the base flat (chipped neck) and the stopper glued on but made of glass imitating coral on a green collar. Chinese, 1780-1850.

Glass, large rounded form, the body of green coloured material and with a raised oval foot rim, the neck flat (chipped) and the stopper of green stone. Chinese, 1780-1850.

Glass, a lime green spitoon with everted lips and a rounded base. Chinese, Beijing, 19th century.

Glass, a rounded vessel made from mottled green and white material in imitation of jadeite, two shoulders with animal masks and all standing on a circular raised foot. Chinese, Beijing, 1780-1850.

Glass, dark green wine or tea cup with everted lip and solid foot. Chinese, Beijing, 20th century.

Glass bangle of green coloured material imitating jadeite. 20th century.

Glass, a small dark green dish with rounded raised foot rim.Chinese, Beijing, 20th century.

Glass, dark green wine or tea cup with everted lip and solid foot (filigree hand piece). Chinese, Beijing, 20th century.

Glass, a small dark green dish with rounded raised foot rim.Chinese, Beijing, 20th century.

Glass, dark green wine or tea cup with everted lip and solid foot (filigree hand piece). Chinese, Beijing, 20th century.

Glass, large pale green translucent dish. Chinese, Beijing, 20th century

Glass, a small dark green dish with rounded raised foot rim.Chinese, Beijing, 20th century.

Glass, a pale green dish with rounded raised foot rim. Chinese, Beijing, 19th century

Glass, a pale green dish with rounded raised foot rim. Chinese, Beijing, 19th century

Glass, a pale green dish with rounded raised foot rim. Chinese, Beijing, 19th century

Glass, "eau de nil colour", the cup of conical form on a wide foot. Chinese, Beiing, 19th century.

Glass, eau de nil colour, the cup of conical form on a wide foot. Chinese, Beiing, 19th century.